Underlying the very common metaphor LIFE IS A JOURNEY is one particular image schema, that of the Path. Life has an initial state, a desired final state, and consists of a sequence of action in which the person progresses from the former to the latter. This schema is described in detail by Mark Johnson in his 1987 book The Body in the Mind, who writes that it “is (a) pervasive in experience, (b) well-understood because it is pervasive, (c) well-structured, (d) simply structured.” We have all had direct experience of Path, even when we were babies crawling toward something that caught our eyes. This allows us to develop a conceptual metaphor that is built on this image schema: LIFE IS A JOURNEY, which you can see broken down for you on the MetaNet Metaphor Wiki. This representation doesn’t emphasize how essential the Path image schema is, but everything there on that page is consistent with that. In this formulation of the metaphor, your main life goal is the overall destination of the journey. Your short-term goals are stops along the way. Life companions are companions on the journey, and so on.
The MetaNet Metaphor Wiki doesn’t yet have an entry for LIFE IS A FREESTYLE, the metaphor we are developing here. Before we get to filling in each of the specific mappings, we should ask what image schema is the basis for LIFE IS A FREESTYLE. Let me throw this out there: Perhaps it’s not Path, but another very pervasive image schema that Johnson discusses, Cycle. He writes, “a cycle is a temporal circle. The cycle begins with some initial state, proceeds through a sequence of connected events, and ends where it began, to start anew the recurring cyclic pattern.” The seasons, the week, and the day are examples of course, but also: “We come into existence as the culmination of a reproductive cycle … We experience our world and everything in it as embedded within cyclical processes.” Johnson also notes that cycles are not simple circles, but have patterns of “build-up and release.”
It’s no accident that freestyling often occurs in a spatial circle, a cypher, which supports temporal cycles within temporal cycles, some overlapping. A rapper jumps in to begin an improvisational process, not heading toward a grand goal but repeating the fine-grained cycles of bars and rhymes and reveling in them for a while. Then a higher-level cycle is complete as she passes the popcorn to someone else who is ready to spit. Some beats are being produced, sometimes by beat boxers whose rhythmic cycles are the same as the rappers, sometimes by a playlist that proceeds on its own way. The point is not to have a far-off destination, but to get in sync with others in the circle and better appreciate the many cycles of life — I think! You tell me. Here’s the mic.